Frank O'Connor - Introduction
Introduction

Frank O’Connor’s life seems a singular collection of paradoxes. Born into poverty in the slums of Cork, he became a director of the Abbey Theatre alongside
California 1957 (Click to view larger image)
W.B. Yeats, discussed and recited poetry with Robert Frost, and wrote more than two hundred memorable stories, many of them published first in The New Yorker. His collected works also include journalism, two novels, several plays, poetry, translations, literary and cultural criticism, and two volumes of an autobiography.

Although many of his stories are set against the backdrop of an Irish provincial town, his work has a universal appeal. His books were banned by the Irish government for nearly twenty years, but they have been translated into many languages and are read worldwide. To a casual reader, his fiction might seem traditional, in its emphasis on form rather than abstraction, yet recent editions of his work have attracted enthusiastic new readers.

 

O’Connor’s formal education never went past grade school, but he taught and lectured at Harvard and received an honorary doctorate at Trinity College. He never studied the Irish language in a college classroom, yet his translations of Irish poetry have been hailed as lively and idiomatic. He was excommunicated for his activities in the Irish Troubles, but he wrote about the lives of priests with insight and empathy. Several of his stories, including Guests of the Nation, My Oedipus Complex, First Confession, are acknowledged classics of the genre, but most readers are unaware of the scope of his work. This authorised website has been designed to provide accurate information about his life and work, samples of his less well-known publications, rare photographs, manuscripts, and video clips, and links to other useful sites.

All Frank O’Connor materials on this site reproduced by permission of the Estate of Frank O’Connor. All other commentary except where cited is © 2006 by Michael Steinman. Every effort has been made to trace the copyright holders of other materials. We apologise for any omissions or errors and would be happy to correct them.

For a fuller introduction to the life and creative work of Frank O’Connor please click here to see the essay by Hilary Lennon